tag:blogger.com,1999:blog-47754192947422956722024-03-28T13:43:22.198-05:00VIOLA YEŞİLTAÇVIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.comBlogger75125tag:blogger.com,1999:blog-4775419294742295672.post-73257778331274021592023-07-01T03:36:00.021-05:002024-01-26T07:32:54.872-06:00Kunstverein Springhornhof<p style="text-align: center;"><b> <span style="background-color: white; color: #080304; font-family: Arial;">Sollbruchstelle, </span><i style="background-color: white; color: #080304; font-family: Arial;">Thank You for Hustling!</i></b></p><p style="text-align: center;"><span style="background-color: white; color: #080304; font-family: Arial;">8.Juli - 25. September 2023</span></p><div style="text-align: justify;"><div style="text-align: center;"><a href="https://springhornhof.de/viola-yesiltac/"><span face="arial, sans-serif" style="background-color: white; color: #999999; font-size: 14px; text-align: left;"> </span><span face="arial, sans-serif" style="background-color: white; color: #999999; font-size: 14px; text-align: left;">Kunstverein Springhornhof</span></a></div><span style="color: #999999;"><div style="text-align: center;"><a href="https://springhornhof.de/viola-yesiltac/"><span class="w8qArf" face="arial, sans-serif" style="background-color: white; font-size: 14px; text-align: left;"> </span><span class="LrzXr" face="arial, sans-serif" style="background-color: white; font-size: 14px; text-align: left;">Tiefe Str. 4, 29643 Neuenkirchen</span></a></div><div style="text-align: center;"><span class="LrzXr" face="arial, sans-serif" style="background-color: white; font-size: 14px; text-align: left;"><br /></span></div></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_fU6rRA9TuQ6kvxe_6nSGFYdYYGJHYyGJFdKqaTR1s5qIYVxjpMBQqbTVjYORAx4GHvqPZWhSYRNZO1MnKr2BVP8e2ogfuLb8NxoE8954ZrPUytHRljh-icj74Rf-gqFGo8Qx3Ez3HjRxNwcC2jaFKJUzNXKpptNnBU8SQSADZK6Kk3ibFMQ7PUJECuXs/s2128/unnamed.jpg" style="margin-left: 1em; margin-right: 1em; text-align: right;"><img border="0" data-original-height="2128" data-original-width="1417" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_fU6rRA9TuQ6kvxe_6nSGFYdYYGJHYyGJFdKqaTR1s5qIYVxjpMBQqbTVjYORAx4GHvqPZWhSYRNZO1MnKr2BVP8e2ogfuLb8NxoE8954ZrPUytHRljh-icj74Rf-gqFGo8Qx3Ez3HjRxNwcC2jaFKJUzNXKpptNnBU8SQSADZK6Kk3ibFMQ7PUJECuXs/w266-h400/unnamed.jpg" width="266" /></a></div><div style="text-align: left;"><span style="background-color: white; color: #080304; font-family: Arial; font-size: small;"><br /></span></div><div style="text-align: left;"><span style="color: #080304; font-family: Arial; font-size: x-small;">documentation can be accessed</span><span style="background-color: white; color: #080304; font-family: Arial; font-size: small;"> <a href="https://violayesiltac.com/sollbruchstelle-thank-you-for-hustling/">here.</a></span></div><div style="text-align: left;"><span style="background-color: white; color: #080304; font-family: Arial; font-size: small;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-small;"><span style="background-color: white; color: #080304; font-family: Arial;">Die Heterogenität der künstlerischen Arbeiten von Viola Yeşiltaç - wie Skulpturen aus Fundstücken, Objekte aus Abgüssen, Fotografien, Tintemalerein auf der Rückseite von Kunstleder und Soundpieces - ist programmatisch zu verstehen, da ihnen ein performativer Gestus eingeschrieben ist. </span></span></div><div style="text-align: left;"><span style="font-size: x-small;"><span style="background-color: white; color: #080304; font-family: Arial;">Y</span><span style="background-color: white; color: #080304; font-family: Arial;">eşiltaç betrachte eine Reihe von soziokulturellen Themen, wie z. B. Migration, durch die Linse ihrer persönlichen Geschichte und registriert Transfer- und Migrationsbewegungen, die sich den Dingen einschreiben. </span><span style="background-color: white; color: #080304; font-family: Arial;">Ort und Kontext, persönliches und politisches, Fiktion und Dokumentation werden gleichwertig reflektiert.</span></span></div><p style="background-color: white; color: #080304; font-family: Arial;"><span><span style="font-size: x-small;"><br /></span></span></p><p style="background-color: white; color: #080304; font-family: Arial;"><span><span style="font-size: x-small;">Zur Ausstellung erscheint ein Heft mit einem Text von Gürsoy Doğtaş</span></span></p><p style="background-color: white; color: #080304; font-family: Arial;"><span style="font-size: x-small;"><em>Sonntag, 6. August, 11 Uhr</em><br />Viola Yeşiltaç hat das Lärchenberg Trio zu einem Kammerkonzert in ihrer Ausstellung eingeladen. Mit ihrem Programm (Dvořak, R. Schumann et.al.). schaffen die drei eine Atmosphäre großer Leichtigkeit. Sie interpretieren, arrangieren, komponieren und vor allem improvisieren sie und machen dabei die Zuhörenden zu Erfindern und Geschichtenerzählern.<br /><em>Eintritt € 12 / ermäßigt € 8 (gilt auch für Kunstvereinsmitglieder)</em></span></p><p style="background-color: white; color: #080304; font-family: Arial;"><span style="font-size: x-small;"><br /><span>Die Ausstellung wurde durch die Niedersächsische Sparkassenstiftung, die Kreissparkasse Soltau, das Land Niedersachsen und den Lüneburgischen Landschaftsverband gefördert.</span></span></p>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-3697231605024187412023-01-07T18:44:00.006-06:002024-01-07T13:55:32.055-06:00Throughline<p style="text-align: center;"><a href="https://bureau-inc.com/exhibitions/throughline" style="box-sizing: inherit; color: black; margin-bottom: 0px; text-decoration-line: none; white-space: pre-wrap;" target="_blank"><span style="font-family: helvetica;">Nour Mobarak, Claudia Peña Salinas, Davina Semo, Jeffrey Stuker, Patricia Treib, Viola Yeşiltaç</span></a></p><span style="background-color: white; box-sizing: inherit; color: black; font-family: helvetica; margin-bottom: 0px; text-decoration-line: none; white-space: pre-wrap;"><div style="text-align: center; white-space: normal;"><span style="font-family: helvetica;"><span> </span>Bureau Gallery</span></div><div style="text-align: center; white-space: normal;"><span style="font-family: helvetica; font-size: x-small;"><br /></span></div><div style="text-align: center; white-space: normal;"><span style="color: #202124; text-align: left;"><span style="font-family: helvetica; font-size: x-small;">178 Norfolk St, New York, NY 10002</span></span></div><div style="text-align: center; white-space: normal;"><span style="color: #202124; text-align: left;"><span style="font-family: helvetica; font-size: x-small;">for more information click and follow <a href="https://bureau-inc.com/exhibitions/throughline">link</a></span></span></div><div style="text-align: center; white-space: normal;"><span style="font-size: x-small;"><br /></span></div></span><div><div style="text-align: center;"><a href="https://bureau-inc.com/exhibitions/throughline" style="background-color: white; box-sizing: inherit; color: black; margin-bottom: 0px; text-decoration-line: none; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: x-small;">January 14 - February 25 2023</span></a></div><div style="text-align: center;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: center;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB9f-5gKKvmu3kiKbZm1WGjenu56MCKVElcU8-3dm8p--7dbXD33IpozsP3JlTkS3xcb8-AEW5fPrmTFmZ7TCUAupt2XMEM3suANaxw8_1SJb-rW44yZ5jg6pQ4tfJMWwjxPxUpD7DFPZUGxkxNkv93t92iFInT42hCpfUnlTwAWYy0GoqbZYFI_uEDw/s1276/04_Landvermesserin.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1276" data-original-width="850" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB9f-5gKKvmu3kiKbZm1WGjenu56MCKVElcU8-3dm8p--7dbXD33IpozsP3JlTkS3xcb8-AEW5fPrmTFmZ7TCUAupt2XMEM3suANaxw8_1SJb-rW44yZ5jg6pQ4tfJMWwjxPxUpD7DFPZUGxkxNkv93t92iFInT42hCpfUnlTwAWYy0GoqbZYFI_uEDw/s320/04_Landvermesserin.jpg" width="213" /></a></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: xx-small;"><i style="background-color: white; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: "EB Garamond", georgia, serif; margin-bottom: 0px; white-space: pre-wrap;"> </i></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: xx-small;"><i style="background-color: white; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: "EB Garamond", georgia, serif; margin-bottom: 0px; white-space: pre-wrap;"> </i><span style="font-family: helvetica;"><i style="background-color: white; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); margin-bottom: 0px; white-space: pre-wrap;">Die Landvermesserin </i><span color="rgba(0, 0, 0, 0.8)" style="background-color: white; white-space: pre-wrap;">(aus der Istanbul Serie), 2018, Silver gelatin print, 23 × 20 in.</span></span></span></div><div><br /></div></div><a href="https://bureau-inc.com/exhibitions/throughline" style="background-color: white; box-sizing: inherit; color: black; font-size: 18px; margin-bottom: 0px; text-decoration-line: none; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></a></div>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-37458390470401552092022-04-25T16:01:00.013-05:002022-11-20T12:02:46.719-06:00Kunst an Kölner Litfaßsäulen <div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;">Der enge, begrenzte Raum der Litfaßsäule wird in dem Spielfilm Moritz und die Litfaßsäule (DDR 1985) für den kleinen Moritz zum weiten, grenzenlosen Land der Phantasie.
Was damals für Moritz die Litfaßsäule war, eine Tür, die Zugang zu Geschichten und Imaginationen ermöglichte, wurden später für mich
die Galerien und Museen der Welt. </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;">Die Photographie zeigt eine Wendeltreppe im Archäologischen Museum in Istanbul und erinnert an die freischwebende Wendeltreppe im Eingangsbereich des ehemaligen, am Istanbuler Taksim Platz gelegenen AKM (Atatürk- Kulturzentrum), das 2018 abgerissen - und somit ein wichtiger Ort für die Istanbuler und die kulturelle Szene Geschichte wurde.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;">In the feature film Moritz and the Advertising Column (GDR 1985), the narrow, limited space of the advertising pillar becomes a vast, boundless land of imagination for little Moritz. For Moritz, the advertising pillar was a door that gave access to stories and imaginations. For me, the same became true with the galleries and museums of the world. The photograph shows a spiral staircase in the Archaeological Museum in Istanbul and is reminiscent of the free-floating spiral staircase in the entrance area of the former AKM (Atatürk Cultural Center) located on Istanbul's Taksim Square, which was demolished in 2018 - and thus an important place for Istanbul's cultural scene became history.</span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVYQR0xbXdlBxtcgJaQDdpvFeBKankfqBt8XJkcnZ973EKt8NtpyawD0-XSeV88K62t3rf8DKfdxvBzVJHCbA-XaKAM_BEYXQWrLcW4gjmxnOtgNTZgrp5liAuPFaRwGGidnItAu2c31x6FP_4AyOHMfIpqVymyff5swUXfOcRKTJbWzzKTy8icxrhJA/s3213/IMG_1249.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2317" data-original-width="3213" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVYQR0xbXdlBxtcgJaQDdpvFeBKankfqBt8XJkcnZ973EKt8NtpyawD0-XSeV88K62t3rf8DKfdxvBzVJHCbA-XaKAM_BEYXQWrLcW4gjmxnOtgNTZgrp5liAuPFaRwGGidnItAu2c31x6FP_4AyOHMfIpqVymyff5swUXfOcRKTJbWzzKTy8icxrhJA/s320/IMG_1249.jpg" width="320" /></a></div></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYZI5PkklDGbLcAgf-goI6J7-UUFtu6e5tzUgDFlcJ5t2hdSyiiAXg5Pofij1fFUjiSBWo5Ol-WISxvkbWOCEf3ouGYsPDwNIUPP5wH8pb9wbkJNNZgVsNi8FpwHp_Rand4JDC5wEN_QZcUhIqT2yDS5wJixa1hhrVe253rdaIujqBktS1twSTCrCogg/s1547/IMG_1276.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1547" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYZI5PkklDGbLcAgf-goI6J7-UUFtu6e5tzUgDFlcJ5t2hdSyiiAXg5Pofij1fFUjiSBWo5Ol-WISxvkbWOCEf3ouGYsPDwNIUPP5wH8pb9wbkJNNZgVsNi8FpwHp_Rand4JDC5wEN_QZcUhIqT2yDS5wJixa1hhrVe253rdaIujqBktS1twSTCrCogg/s320/IMG_1276.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXA2rx5MmXX19OMbfGoClMeSgd5zqoUphfTUGm3dILAqjBSezbn-QK9bSutu4YzG2AeYIwh-VObaHkCaeCCs326tAvz4waG0qk5SkZ3yAj__BOKH6JWp7T6YCTWWb87AmmzoegilJCFEFf-p-lE6Bz0IZ1r6PsFIWzbcqaCxIZ2ThaGXYAm39Xaq36Q/s5344/IMG_1266.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3563" data-original-width="5344" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMXA2rx5MmXX19OMbfGoClMeSgd5zqoUphfTUGm3dILAqjBSezbn-QK9bSutu4YzG2AeYIwh-VObaHkCaeCCs326tAvz4waG0qk5SkZ3yAj__BOKH6JWp7T6YCTWWb87AmmzoegilJCFEFf-p-lE6Bz0IZ1r6PsFIWzbcqaCxIZ2ThaGXYAm39Xaq36Q/s320/IMG_1266.jpg" width="320" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica; text-align: left;"><span style="font-size: x-small;">photography: Luisa Katharina Kempf</span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;"><br /></span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;">The Advertising Column can be seen at 25 locations in Cologne until mid-June 2022.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: helvetica;">For more information please visit: </span><a href="https://www.stadt-koeln.de/politik-und-verwaltung/presse/mitteilungen/24625/index.html" style="font-family: helvetica;">https://www.stadt-koeln.de</a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><br /></span></div><br /><div class="separator" style="clear: both;"><br /></div></div><p><br /></p>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-67302136056250938812021-12-30T03:37:00.010-06:002022-05-05T12:13:14.650-05:00New Website<p style="text-align: left;"><span style="font-family: helvetica; font-size: large;">NEW WEBSITE!</span></p><p style="text-align: left;"><span style="font-family: helvetica; font-size: large;"><a href="http://violayesiltac.com">violayesiltac.com</a></span></p><p style="text-align: left;"><span style="font-family: helvetica;"> now online</span></p><p style="text-align: left;"><span style="font-family: helvetica;"> concept & design by</span></p><p style="text-align: left;"><a href="https://ueber3.com/"><span style="font-family: helvetica; font-size: medium;">ueber3</span></a></p><p style="text-align: left;"><span style="font-family: helvetica;">updates and news will still be posted here.</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEivjYfcMvgxCyrC8BqZiBafhoklro9og0wPmDnX3-acu0H5Ikxf04uoDCUCY4r7dP5VqvDsHrOk_M15Pu59o-x6a3RA30V9P1FJp-gGvygfT_7USxt_lg5X9ajRN16_7oARXM1fvz9NReAs7SK95YUAy1awbl_LgmgpYbQ8WupJ2uxik3fgAQUTvKdJ_w=s738" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="591" data-original-width="738" height="256" src="https://blogger.googleusercontent.com/img/a/AVvXsEivjYfcMvgxCyrC8BqZiBafhoklro9og0wPmDnX3-acu0H5Ikxf04uoDCUCY4r7dP5VqvDsHrOk_M15Pu59o-x6a3RA30V9P1FJp-gGvygfT_7USxt_lg5X9ajRN16_7oARXM1fvz9NReAs7SK95YUAy1awbl_LgmgpYbQ8WupJ2uxik3fgAQUTvKdJ_w=s320" width="320" /></a></div><br /><p style="text-align: center;"><br /></p>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-51199016981228003622021-12-13T03:20:00.022-06:002022-11-20T12:12:29.144-06:00Archipelago<p style="text-align: center;"> </p><p style="text-align: center;"><a href="https://archipelago.page/entity/cluster/13" target="_blank"><span style="font-family: helvetica; font-size: medium;">Archipelago</span></a></p><p style="background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 20px; margin: 10px 0px; padding: 0px; text-align: center;">click link and visit content!</p><p style="background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 20px; margin: 10px 0px; padding: 0px; text-align: center;"><a href="https://archipelago.page/entity/content/212/breadcrumb/cluster,13;content,212;">Muttersprache/ Vaterland, 2022</a></p><p style="background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 20px; margin: 10px 0px; padding: 0px; text-align: center;"><br /></p><p style="background-color: white; color: #202020; line-height: 20px; margin: 10px 0px; padding: 0px; text-align: justify;"><span style="background-color: transparent; font-family: helvetica; font-size: small; text-align: left;">archipelago.page is a network that connects and publishes a growing range of topics. These topics are organised into clusters, each containing a multitude of content, such as; text, images and audio-visual recordings, as well as recommendations of literature, other webpages, projects etc. Its subjects mainly stem from, but are not limited to, the realm of contemporary art, they often arise from the interests of the founders of archipelago.page: </span><span style="background-color: transparent; font-family: helvetica; font-size: small; text-align: left;">the team of Kunstverein Langenhagen.* </span><span style="background-color: transparent; font-family: helvetica; font-size: small; text-align: left;">In structure the platform resembles an archipelago: it consists of a growing number of individual islands and visualizes their specific characteristics and mutual influences. The different clusters are comprised of collections of material that often remains invisible within the context of an exhibition. Lastly archipelago.page maps the connections, intersections and interferences of its topics and thus visualizes the complexity of their relationships.</span></p><div><span style="font-size: x-small;"><span style="font-family: helvetica;">The clusters and their contents are created and edited by individual authors, teams or in collaboration </span><span style="font-family: helvetica;">achipelago.page is open-ended. Its current state is the starting point for its further development.</span></span></div><div><span style="font-family: helvetica;"><br /></span></div><div><span style="font-family: helvetica; font-size: xx-small;">Do you have questions or remarks about archipelago.page?</span></div><div><span style="font-family: helvetica; font-size: xx-small;">If so please contact us at: archipelago[a]kunstverein-langenhagen.de</span></div><div><span style="font-family: helvetica; font-size: xx-small;">*Kunstverein Langenhagen is a non-commercial institution for contemporary art in Langenhagen, DE</span></div><div><span face="Arial, Helvetica, sans-serif" style="background-color: white; color: #222222; font-size: small;"><span lang="de-DE" style="color: #202020; font-family: Helvetica; font-size: 16px; text-align: center;"><br /></span></span></div><div><span face="Arial, Helvetica, sans-serif" style="background-color: white; color: #222222; font-size: x-small;"><span lang="de-DE" style="color: #202020; font-family: Helvetica; text-align: center;">Die in Hannover geboren und in Langenhagen aufgewachsene Künstlerin reflektiert in ihren Arbeiten die Frage kultureller Identitäten, Transfer- und Migrationsbewegungen, die sich den Dingen einschreiben und die sie in einer performativen Bewegung miteinander in Beziehung setzt. Für Archipelago unter <i>Die Landvermesserin</i> </span><span lang="tr-TR" style="color: #202020; font-family: Helvetica; text-align: center;">arbeitet</span><span lang="de-DE" style="color: #202020; font-family: Helvetica; text-align: center;"> Viola Ye</span><span lang="tr-TR" style="color: #202020; font-family: Helvetica; text-align: center;">şiltaç </span><span lang="de-DE" style="color: #202020; font-family: Helvetica; text-align: center;">an einer Soundcollage mit Aufnahmen, die in Transit sowie vor Ort in Langenhagen entstanden sind. Ausserdem befinden sich links und Referenzen und Einges mehr im dem Cluster.</span></span></div><div style="text-align: center;"><p style="background-color: white; color: #202020; font-family: Helvetica; font-size: 16px; line-height: 20px; margin: 10px 0px; padding: 0px;"><br /></p></div><p></p>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-9178101753408808882021-07-28T17:07:00.034-05:002023-03-31T07:57:05.504-05:00Lie Lay Lain, LLC, Den Haag, The Netherlands<p><br /></p><table border="0" cellpadding="0" cellspacing="0" class="m_5648011344361239558templateContainer" style="background-color: #fafafa; border-collapse: collapse; border: 0px; color: #222222; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: small; max-width: 600px; width: 100%px;"><tbody><tr><td id="m_5648011344361239558templateBody" style="background: none 50% 50% / cover no-repeat rgb(255, 255, 255); border-bottom: 0px; border-top: 0px; margin: 0px; padding-bottom: 0px; padding-top: 9px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; min-width: 100%; text-align: center; width: 100%px;"><tbody><tr><td style="margin: 0px; padding-top: 9px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="m_5648011344361239558mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-align: center; width: 100%px;"><tbody><tr><td class="m_5648011344361239558mcnTextContent" style="color: #202020; font-family: Helvetica; line-height: 24px; margin: 0px; padding: 0px 18px 9px; word-break: break-word;" valign="top"><h1 style="line-height: 32.5px; margin: 0px; padding: 0px; text-align: left;"><span face=""open sans", "helvetica neue", helvetica, arial, sans-serif"><span style="font-size: 26px;"> </span><span style="font-size: medium;">SKRODERIDER</span></span></h1><h1 style="line-height: 32.5px; margin: 0px; padding: 0px; text-align: center;"></h1><div style="text-align: center;"><table border="0" cellpadding="0" cellspacing="0" class="m_5648011344361239558templateContainer" style="background-color: #fafafa; border-collapse: collapse; border: 0px; color: #222222; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: small; max-width: 600px; text-align: center; width: 100%px;"><tbody><tr><td id="m_5648011344361239558templateBody" style="background: none 50% 50% / cover no-repeat rgb(255, 255, 255); border-bottom: 0px; border-top: 0px; margin: 0px; padding-bottom: 0px; padding-top: 9px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; min-width: 100%; text-align: left; width: 100%px;"><tbody><tr><td style="margin: 0px; padding-top: 9px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" class="m_5648011344361239558mcnTextContentContainer" style="border-collapse: collapse; max-width: 100%; min-width: 100%; text-align: left; width: 100%px;"><tbody><tr><td class="m_5648011344361239558mcnTextContent" style="color: #202020; font-family: Helvetica; line-height: 24px; margin: 0px; padding: 0px 18px 9px; word-break: break-word;" valign="top"><h1 style="line-height: 32.5px; margin: 0px; padding: 0px; text-align: left;"><span face=""open sans", "helvetica neue", helvetica, arial, sans-serif"><span style="font-size: medium;">SEPTEMBER 3, 2021 - DECEMBER 18, 2021</span></span></h1><div style="text-align: center;"><div style="text-align: left;"><span style="font-size: medium;">Opening Friday September 3rd - 5-10pm</span></div><span face=""open sans", "helvetica neue", helvetica, arial, sans-serif" style="font-size: medium;"><div style="text-align: left;">BILLYTOWN </div><div style="text-align: left;">Helena van Doeverenplantsoen 3</div><div style="text-align: left;">2512 ZB, Den Haag</div><div style="text-align: left;">The Netherlands</div></span></div></td></tr></tbody></table></td></tr></tbody></table><br /></td></tr><tr><td id="m_5648011344361239558templateColumns" style="background: none 50% 50% / cover no-repeat rgb(255, 255, 255); border-bottom: 2px solid rgb(234, 234, 234); border-top: 0px; margin: 0px; padding-bottom: 9px; padding-top: 0px;" valign="top"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOWnKofaexIs3baFaRPfVKOaQ_oYZ9Gw3yOAyXm4h2dynnT4hxLQPW0PHk702jQaYFNFg8YOrBPOq-twEci_H19X46q5lvol6wkMbY7vBddO-4siGBxkp21Fo3sYb-bn6wS32CF58OvOUZI3Tu5oGMEniwz5XHB3WRoIZ5052_iXcubT8g_TPcLCU6-g/s1276/09_IMG_Yesiltacsm.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> <img border="0" data-original-height="1276" data-original-width="850" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOWnKofaexIs3baFaRPfVKOaQ_oYZ9Gw3yOAyXm4h2dynnT4hxLQPW0PHk702jQaYFNFg8YOrBPOq-twEci_H19X46q5lvol6wkMbY7vBddO-4siGBxkp21Fo3sYb-bn6wS32CF58OvOUZI3Tu5oGMEniwz5XHB3WRoIZ5052_iXcubT8g_TPcLCU6-g/w266-h400/09_IMG_Yesiltacsm.jpg" width="266" /></a></div><div class="separator" style="clear: both; text-align: left;"> <span style="color: #666666; font-size: xx-small;"><span style="text-align: center;">photograph</span><span style="font-family: helvetica; text-align: justify;"> b&w</span><span style="font-family: helvetica; text-align: justify;"> </span><span style="font-family: helvetica; text-align: justify;">fibre print, from the Istanbul series, 2018 - 20</span></span></div><table border="0" cellpadding="0" cellspacing="0" class="m_5648011344361239558columnWrapper" style="border-collapse: collapse; text-align: left; width: 300px;"><tbody><tr><td class="m_5648011344361239558columnContainer" style="margin: 0px;" valign="top"><table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; min-width: 100%; width: 100%px;"><tbody><tr><td style="margin: 0px; padding-top: 9px;" valign="top"></td></tr></tbody></table></td></tr></tbody></table><span style="font-size: xx-small;"><br /></span></td></tr></tbody></table></div></td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table><br /><div style="text-align: justify;"><p style="background-color: white; color: #202020; font-family: Helvetica; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="font-size: x-small;">The Kitchen at <a data-saferedirecturl="https://www.google.com/url?q=https://lielaylain.us5.list-manage.com/track/click?u%3D0638947177360499bc3bf9f4e%26id%3D220cfa2c4e%26e%3Dfcd116ef7c&source=gmail&ust=1630098135990000&usg=AFQjCNHS50N7wyTlAuOV5GzJHC8rQUi3lQ" href="https://lielaylain.us5.list-manage.com/track/click?u=0638947177360499bc3bf9f4e&id=220cfa2c4e&e=fcd116ef7c" style="color: #007c89;" target="_blank">Billytown</a>, an artist-run-space in The Hague invites <a data-saferedirecturl="https://www.google.com/url?q=https://lielaylain.us5.list-manage.com/track/click?u%3D0638947177360499bc3bf9f4e%26id%3Db5a9e13229%26e%3Dfcd116ef7c&source=gmail&ust=1630098135990000&usg=AFQjCNGGm6vkWHrqTbaJbUPWxH2BP9ftTA" href="https://lielaylain.us5.list-manage.com/track/click?u=0638947177360499bc3bf9f4e&id=b5a9e13229&e=fcd116ef7c" style="color: #007c89;" target="_blank">Lie Lay Lain</a> to curate a group exhibition. The show, titled <em>Skroderider</em>, includes artists <strong>Joseph Buckley</strong>, <strong>Sara Enrico</strong>, <strong>Erin Johnson</strong> and <strong>Viola Yeşiltaç</strong> and will be on view September 3rd till December 18th 2021. The show’s works address material choices, particularly the porous authorial boundaries of material intention.</span></p><p style="background-color: white; color: #202020; font-family: Helvetica; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="font-size: x-small;">The title of the show references the sessile plants who become mobile among the plethora of protagonists in Vernor Vinge’s space opera <em>A Fire Upon the Deep</em>, 1992. A trickster intelligence gives the flora long term memory, the consequences of which rebound capriciously through the story’s universe. Once this species become both mobile and conscious of history, will, evolution, and chance, the distinctions between plant and animal, individual and collective action, begin to blur. By the story’s end, we distrust the sophont that enabled such a transformation.</span></p><p style="background-color: white; color: #202020; font-family: Helvetica; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="font-size: x-small;">Skroderider’s four exhibiting artists similarly, through material choices, employ such a catalytic storytelling, upending expectations for a surface or character. Joseph Buckley promotes the Orc from an evil role to that of surplus labor employed as modular furniture components, perniciously extra. To Sara Enrico, fabric, be it silk, canvas or neoprene, is multidimensional, becoming time-based when the gravity of bronze and oil paint weigh its surfaces. <b>Viola Yeşiltaç</b>’s pleather absorbs the boundaries of a seemingly prehistoric spread of ink the wandering of which is eulogized in adjacent photography navigating Istanbul, once a continental gateway, now a fluid border. Erin Johnson substantiates the non-binary, tempering the speed of the hothouse with the incantation of the chorus, praying empiricism catches up with the multiple ways fruit is born.</span></p></div>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-12061199599920406882021-02-10T05:11:00.023-06:002021-06-18T15:02:31.293-05:00 Kunstverein, Langenhagen<p></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div style="text-align: left;"><a href="https://www.kunstverein-langenhagen.de/en/events"><span style="font-family: helvetica;"><div style="text-align: justify;">30.04.21 - 25.07.21 </div></span></a></div><div style="text-align: left;"><a href="https://www.kunstverein-langenhagen.de/en/events"><span style="font-family: helvetica;"><div style="text-align: justify;">Group Exhibition</div></span></a></div><div style="text-align: left;"><span style="font-family: helvetica;"><div style="text-align: justify;"><a href="https://www.kunstverein-langenhagen.de/en/events">Temporary Heimatmuseum</a><span style="color: #222222; font-family: Helvetica; font-size: 11pt;"> </span><span style="color: #222222; font-family: helvetica; font-size: 12pt;"> </span></div></span></div></blockquote><div style="background-color: white; color: #222222; font-family: Verdana; text-align: left;"><div style="text-align: justify;"><span style="font-family: helvetica; font-size: small;"><span> </span><span> </span></span></div><div style="text-align: left;"><span style="background-color: transparent; font-family: helvetica;"><span> </span><span> </span><span> </span>with existing and new works by Salim Bayri, Aurelie Ferruel & Florentine Guedon, </span></div></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div style="text-align: left;"><span style="font-family: helvetica;">Viola Yeşiltaç, Julia Schmid, Beni Bischof, Hartmut El Kurdi </span></div><div style="text-align: left;"><span style="font-family: helvetica;">and Objects from the city archive of</span></div><div style="text-align: left;"><span style="font-family: helvetica;">Langenhagen.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: left;"><span style="font-family: helvetica;"><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">Heimat is a constructed term with a - especially in german- rather bitter connotation. In 2021 Kunstverein Langenhagen is going to transform into a museum of local history ( german: Heimatmuseum). With this project the problem or possibilities, the nostalgia, the pain and the longing surrounding the concept of " homeland" are being displayed and confronted in a provocative and playful manner. Something which is preceived as a rather old- fashioned institution is being transformed into a different and hopefully more relevant form. the temporary museum of local history is going to focus on the local, regional and international meaning of the concepts of heimat.</span></div></span></div></blockquote><div style="text-align: left;"><span style="font-family: helvetica;"><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhow7Cg1LG9kAJBPB-kMGt-QPeoN9o1qjMO-2J_NY7OpxtTOnKGx9LAwHil8aP8LbD927biowtbvGKOxtKBf6wVrb0G4_2uBoT0ZdFhL9a1iZq5cqN1efdKdeAiqyBXZwJ9azBWNSluuLXN/s580/994a7807b28e372ec829269339e52c8c.jpg" style="clear: left; display: inline; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="407" data-original-width="580" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhow7Cg1LG9kAJBPB-kMGt-QPeoN9o1qjMO-2J_NY7OpxtTOnKGx9LAwHil8aP8LbD927biowtbvGKOxtKBf6wVrb0G4_2uBoT0ZdFhL9a1iZq5cqN1efdKdeAiqyBXZwJ9azBWNSluuLXN/w320-h225/994a7807b28e372ec829269339e52c8c.jpg" width="320" /></a></div><div style="text-align: left;"><br /></div><div style="text-align: right;"><div style="color: #222222; font-family: Verdana; text-align: justify;"><span style="font-family: helvetica; font-size: small;"> </span></div></div></div></span></div><p></p>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-13144089029063111462021-01-05T20:12:00.019-06:002023-09-21T08:59:36.265-05:00Rhenania, Cologne, Germany<p style="text-align: center;"></p><div><i style="background-color: white; font-size: 12pt; text-align: justify;"><span lang="DE" style="color: red; font-family: helvetica;"><a href="https://violayesiltac.com/die-landvermesserin-ii/">Die Landvermesserin</a></span></i></div><div><span style="background-color: white; font-size: 12pt; text-align: justify;"><span style="color: red; font-family: helvetica;"><a href="https://violayesiltac.com/die-landvermesserin-ii/">6.12 - 27.12.2020</a></span></span><span style="font-family: helvetica;"> </span></div><p><span style="font-family: helvetica;"><span style="text-align: justify;">In order</span><span style="background-color: white;"> to comply with the current Covid-19 regulations. </span></span></p><p><span style="font-family: helvetica;"><span style="text-align: justify;">T</span><span style="text-align: justify;">he Exhibition will not be open to the public. All other programs had to be canceled.</span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="clear: left; float: left; font-family: helvetica; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1665" data-original-width="1123" height="349" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6RVEojjQsJmYLzdjJa7Nc1YXYB4J5lWIy7X6kma3SMlIBkMVbZuIegUofWmwy_wWwQkiwHZ1gJT3L6nB7bo_kkD4XNym_HmK9SjaYjaJszFXOcWQlI-1moC9XmJCucs045m0YQNc9aZuQ/w239-h349/img0037.jpg" width="239" /><i style="background-color: white; font-size: 12pt; text-align: justify;"><span lang="DE" style="color: #222222;"></span></i></span></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"></blockquote><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><p><span style="font-family: helvetica;"><br /></span></p><div style="text-align: justify;"><div style="text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="text-align: left;"><i style="background-color: white; font-size: 12pt; text-align: justify;"><span lang="DE" style="color: #222222; font-family: helvetica;"><br /></span></i></div><div style="text-align: left;"><br /></div></div><p></p><div class="separator" style="clear: both; text-align: center;">
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<p style="text-align: left;"><span style="font-family: helvetica; font-weight: 700;"><a href="https://moovitapp.com/index/tr/toplu_ta%C5%9F%C4%B1ma-Gedikpasa_Ayakkabi_Piyasasi-Istanbul-site_18795224-1563">Die Landvermesserin/ The Surveyor</a></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>If Viola Ye</span><span>ş</span><span>iltaç had not purchased those polyurethane-coated raw cotton fabrics in Gedikpa</span><span>ş</span><span>a
which now serve as canvases for her paintings, they would have become faux leather bags to be
sold at the roadside in Mogadishu or they would have been dragged to Yerevan as </span><span style="font-style: italic;">fake </span><span>leather
accessories. Maybe they would have turned up in Yekaterinburg as no name faux leather pants or
as branded shoes on ebay if she had not spotted a sea of pixels in the weave of the synthetic
leather and hence had treated them like her analogue photographs in the darkroom. Brands from
Gucci to Yves Saint Laurent, from Adidas to Nike have taken a liking to imitation leather: a
material that offers many advantages but also has its downsides. In choosing this material, luxury
brands are actively responsible for transforming many places around the globe such as Istanbul’s
Gedikpa</span><span>ş</span><span>a into </span><span style="font-style: italic;">interfaces</span><span>: points of touch between legal and not quite legal ways of dealing with
all things fake. Gates to a twilight zone.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Gedikpa</span><span>ş</span><span>a, an ancient fishing and crafts district on Istanbul’s historic peninsula. Once, before
those many city planning barriers got in the way – the city walls, the rails, the highway with the
Eurasia tunnel and the parking sites – the town was located directly at the seaside. A few stops on
the outbound suburban train, just outside the Walls of Constantinople, lies </span><span style="font-style: italic;">Kazlıçe</span><span style="font-style: italic;">ş</span><span style="font-style: italic;">me</span><span>, the ‘goose
fountain’. Only thirty years ago, the tanneries were still located here. Back then, the real leather
from the ‘stinking fountain’ was transported back to town and processed in the workshops of
Armenian craftspeople in Gedikpa</span><span>ş</span><span>a. Here, students learned directly from their masters and
leather was processed into shoes, belts and bags. The children of Anatolian farmers arrived as
apprentices and received meticulous training over decades. At some point towards the end of the
past century, this world came to an end. The tanneries were demolished to make way for a cruise
ship dock. Ever since, the ships have failed to manifest. The historic fountain with the goose
relief stands alone, in the middle of a bleak industrial wasteland, missing the stench of real
leather. At some point, it is supposed to adorn the atrium of a luxury shopping mall for cruise ship
passengers.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>That, if not even earlier, was the point when the former customers for handmade shoes from
Gedikpa</span><span>ş</span><span>a disappeared, taking their money with them. Shoes were now being produced
elsewhere, in larger quantities. Old inhabitants left the district, new people came to settle here.
They came from everywhere: post-soviet Eurasia, the Middle East, Africa. </span></span></p></div></div></div></div><div class="separator" style="clear: both; text-align: center;"><div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p style="text-align: left;"><span style="font-family: helvetica;"></span></p><p></p></div></div></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSc3TMXWF98uKIQ0-XOKLXSeNAWvTbjRrr0QStrhcLVlQoi8HIsj17Cw_8axRDR0i2GSPu5vdTBMURTwoXrXW2L3whXEWMowaK4vLATk45PDQ6SwXN35mrHkIj9KdKnHKYJ7Pxl2hel0Ox/" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: helvetica;"><img alt="" data-original-height="135" data-original-width="180" height="97" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSc3TMXWF98uKIQ0-XOKLXSeNAWvTbjRrr0QStrhcLVlQoi8HIsj17Cw_8axRDR0i2GSPu5vdTBMURTwoXrXW2L3whXEWMowaK4vLATk45PDQ6SwXN35mrHkIj9KdKnHKYJ7Pxl2hel0Ox/w130-h97/image.png" width="130" /></span></a></div><div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p style="text-align: left;"><span style="font-family: helvetica;"><span>For a long time, </span><span>people also came from the Balkans until it was swallowed by the EU
and its post-socialist migrant workers moved on to the asparagus fields
and abattoirs of the West. </span><span>With each year, more and more people arrived, demanding bread.
Gedikpa</span><span>ş</span><span>a adapted, feeding them all. The so-called </span><span style="font-style: italic;">bekar odaları</span><span>, the </span><span>bachelor’s chambers, collective residences for new arrivals, took over the spaces where family
life had formerly taken place. Traditional ateliers became global sweatshops which began to
process synthetic leather. <br />A new ‘flying’ middle class now gave the orders while artisanal</span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJ47g7Us4LTXk1LXTydY3C0aXs9_ZWGR6Muxf8LSswQMsCZBxNUhlXKKVg6gI2DNKA_vYIMOpgAsqkY-vNXfi0zx_KTyF5JAtbgb1Tp0gjGu4CxPwDX-hjBKO2wuhU0M-TrfKb-GzrOKo/" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: helvetica;"><img alt="" data-original-height="141" data-original-width="180" height="82" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJ47g7Us4LTXk1LXTydY3C0aXs9_ZWGR6Muxf8LSswQMsCZBxNUhlXKKVg6gI2DNKA_vYIMOpgAsqkY-vNXfi0zx_KTyF5JAtbgb1Tp0gjGu4CxPwDX-hjBKO2wuhU0M-TrfKb-GzrOKo/w104-h82/image.png" width="104" /></span></a></div><p></p></div></div></div><div class="page" title="Page 2"><div class="layoutArea"><div class="column">
<p style="text-align: left;"><span style="font-family: helvetica;"><span>production of custom-made goods disappeared. Today’s Gedikpa</span><span>ş</span><span>a is a
place of bottom up globalisation. Fake leather patches up holes in the
world between Moldavia, Kirgizstan and Nigeria. It is a place of
production and the product is proudly presented in non-white hands.
Non-white feet in imperfect leggings model the </span><span style="font-style: italic;">fakes</span><span>. And last but not </span><span>least, workers use their locational advantage to build alternative global trade networks with their
home countries, already scheming their social ascent.</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Viola Ye</span><span>ş</span><span>iltaç, a born German Turk is not a stranger to this world: she knows it from her own
double migration narrative into a new world. [.....]</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>In Gedikpa</span><span>ş</span><span>a, where she can afford to work as an artist, her internal journey leads her to China, a
former stopover in her life and also Gedikpa</span><span>ş</span><span>a’s competitor in the </span><span style="font-style: italic;">production of fakes</span><span>. Yet, her
real encounter with the place denies her the desired canvases for her art which feature an all-over
print of fake brand logos. Therefore, she decorates the bales of fabrics that she has purchased with
Chinese ink calligraphy. In a final step, she blurs them, using a variety of techniques. She finds
out that fake leather is not always just fake leather. There are a lot of different materialities,</span></span></p></div></div>
</div>
<div class="page" title="Page 3">
<div class="layoutArea">
<div class="column">
<p></p><div style="text-align: left;"><span style="font-family: helvetica;">sometimes featuring real depth, sometimes a tight surface, sometimes very absorbent, sometimes
repelling the ink. But they all have one thing in common: polyurethane is washable and therefore
these processes take place in technical analogy to those happening in a photo laboratory.</span></div><span><div style="text-align: left;"><span style="font-family: helvetica;">In an organic evolution of photography, the craft that the artist was trained in, the synthetic
leather bales are ripped from their predetermined life cycles and subjected to dyes, liquids, light,
chemical and physical influences. They are gifted with a different kind of still life, especially
since they now take centre stage in the process of artistic production. This career, from material to
art object, remains out of reach for the human owners of the leather bales, for the people
processing them and for those who will later own the resulting commodities. One may wish to
have entered this world as dead matter so as to be able to experience its bright side.</span></div></span><p></p>
<p style="text-align: left;"><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF3A7PLsX-sgb6gHC1TW34HVkYxXjrdJ8se_qaS60MQNLVPF3J0oNKT8aevIgY9op2CZGmbOLsdMYlEsV1p_5e8DIUYNhCLoyVeG9Bst8SziKCuL0VWEXQrsjNMh6Yzaj3FReFjA94P_pl/" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><span style="font-family: helvetica;"><img alt="" data-original-height="390" data-original-width="204" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF3A7PLsX-sgb6gHC1TW34HVkYxXjrdJ8se_qaS60MQNLVPF3J0oNKT8aevIgY9op2CZGmbOLsdMYlEsV1p_5e8DIUYNhCLoyVeG9Bst8SziKCuL0VWEXQrsjNMh6Yzaj3FReFjA94P_pl/w99-h189/image.png" width="99" /></span></a></div><div style="text-align: left;"><span style="font-family: helvetica;">A sample that has not been repurposed for art has been placed on its
‘house’: a cheap cardboard box. This is where it poses, self-
advertising. The internet is full of such kinds of images. It suffices
to enter a place name and the word ‘shoe’, ideally in Turkish or
English, into social media or<a href="https://www.google.com/search?q=ayakkab%C4%B1+gedikpa%C5%9Fa&sxsrf=ALeKk03zbjeAQZIIty4q8KXPXHDzyLwflQ:1610119651653&source=lnms&tbm=isch&sa=X&ved=2ahUKEwi3joeP04zuAhWMraQKHXzsDigQ_AUoAXoECAkQAw&biw=1401&bih=975"> search engines.</a> Local producers vie
for visibility at global transfer sites, at all costs. The internet has
long become their <span style="font-style: italic;">piyasa</span><span style="font-style: italic; vertical-align: 2pt;">1</span><span>, the preferred marketplace. In a world of
the Other’s copyright laws, producers of such visual content are
simply grateful if their images are stolen and reproduced. There is
no such thing as bad advertisement. After cropping shoes and
shoebox out of the picture, all that is left to look at is a piece of
cityscape which functions as background and model
simultaneously. If one were to transfer this piece of cityscape into a </span><span>black and white colour scheme and smuggle the printed result into Viola Ye</span><span>ş</span><span>iltaç’s photographic
works, it would become naturalized there. Quite a few people, first and foremost including the
author of this text, would possibly take it to be an original work of Ye</span><span>ş</span><span>iltaç, amateurishly </span><span>reducing it to its </span><span style="font-style: italic;">sujet</span><span>.</span></span></div><p></p>
<p></p><div style="text-align: left;"><span style="font-family: helvetica;"><span style="vertical-align: 2pt;">1 </span><span style="font-style: italic;">piyasa </span><span>(Turkish ‚market‘), from Italian </span><span style="font-style: italic;">piazza, </span><span>market place / square.</span></span></div><span style="font-family: helvetica;"><div style="text-align: left;"><span>The simplifying language of Italian seamen, as so-called </span><span style="font-style: italic;">lingua franca</span><span>, functioned as a linguistic bridge
between the adjacent languages of Catalan, Ozitan, Albanian, Greek, Turkish, Arabic, ... etc. It was the
source of multiple adaptations. In today’s neoliberal world, piyasa has become a magic word, a kind of key,
for example regarding ‘global branches’. Due to the power of markets in which it is contextualized,
individuals can situate themselves as liberal economic agents in the universe. They ‘place’themselves in the
intersection of its markets. The internet does not just indicate the multiplicity of </span><span style="font-style: italic;">piyasas</span><span>. The development
and connection of digital marketplaces drives the innovation of multiple identities in the alter-global world.</span></div></span><p></p></div></div></div><div class="page" title="Page 4"><div class="layoutArea"><div class="column">
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Viola Ye</span><span>ş</span><span>iltaç embarked on photographic walks around Istanbul, her father’s hometown. She
purposefully avoided anything that could be regarded as site-specific, hereby making a clear
statement in defiance of orientalist expectations. Motifs that could be understood as typical of
Istanbul are almost always carefully avoided. Most images could have been taken anywhere
where people live and have built cities. A few images may perhaps give the impression of
displaying a familiar location. Even then, their possible origins may be located within sheer
endless urban geographies.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>A continuously pointed angle and a reduced distance to her motifs are useful tools for Ye</span><span>ş</span><span>iltaç,
especially since she is on the hunt for archetypes. The failed, half-finished, poorly maintained
things, things intended as provisional, the unforeseen, the unforeseeable, the incomplete, the
uncompleted, things left behind, things out of place, things out of balance. They occur wherever
spaces are supposed to be organized and transferred into another space. Where that has only been
inaccurately or partially achieved. Or where it maybe was not intended at all.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Did she attempt to record her trails through the city? What would these traces have shown? How
much of it was planned, what was a product of mere chance? In the world as seen through the
eyes of Viola Ye</span><span>ş</span><span>iltaçs, her archetypes function like singular pixels or elementary particles which
form the basis for everything. Just like the Vitruvian </span><span style="font-style: italic;">modulus</span><span>, if one is so inclined. Insofar, they
are omnipresent and can be localised everywhere. Everything begins with a visual survey of these
imperfect modules through the camera lens; the higher order of things takes shapes on a different
level. Her next step addresses the human cognitive action which joins the pixels together.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>A second photo series apparently stands in stark contrast to the first group. It embodies clear
shapes, perfection, precision, refinement. The desire to produce understanding and order in the
world on that higher level. There is no other place than Istanbul .... where they could possibly
have been taken. Oh well, Frankfurt. Because a tri-partite migration background, from Eastern
Anatolia via Istanbul, on to Frankfurt and back to Istanbul stands behind this otherwise relatively
unknown collection which photographically addresses this story. A nerd would have made it their
life’s calling to correct the eurocentrism of a history of civilization as it has been written for half a
millennium, and to put it back onto its global feet. The </span><span style="font-style: italic;">oeuvre </span><span>of the late Professor Szegin is
dedicated to the idea of continuity within Islamic and Western civilisations. His unsurpassable </span><span>monumental work was in the making for more than half a century, he was in the middle of the 18</span><span style="vertical-align: 2pt;">th
</span><span>volume when he recently died at the age of 94. The idea of a common human civilisation is most
convincingly visualised on the level of a reconstructed universal history of science in </span><a href="http://der-wisch.net/ein-leben-fuer-die-wissenschaft/"><span style="font-style: italic;">flow</span><span style="font-style: italic; vertical-align: 2pt;">2</span><span>.</span></a></span></p></div></div></div><div class="page" title="Page 5"><div class="layoutArea"><div class="column">
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Viola Ye</span><span>ş</span><span>iltaç is dedicated to photographically capturing the astrolabes which Szegin
reconstructed based on scientific texts and illustrations from the Islamic middle ages. The
collection of tools which are used to survey the world by means of astrological constellations is
split between two cities. In Frankfurt, where he established his institute-in-exile, and in Istanbul,
from where he had once been banned but was allowed to return to at old age, bringing with him
his museum collection.
</span></span></p>
<p style="text-align: left;"><a href="https://onemorelibrary.com/index.php/en/books/literature/book/german-literature-294/the-castle-3135"><span style="font-family: helvetica;"><span style="color: #191919; font-style: italic;">"But how is that possible," cried K., "Surely I haven’t made this endless journey just to be sent
back again."</span><span style="color: #191919; font-style: italic; vertical-align: 2pt;">3
</span></span></a></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>Viola Ye</span><span>ş</span><span>iltaç, who identifies with the persona of K., the surveying protagonist of Kafka’s </span><span style="font-style: italic;">The
Castle</span><span>, obviously wishes K. was in the possession of one of these astrolabes. It would have given
him access to the insides of the empire. The state of things could thus have been deducted. The
sheer imperfect which can only be seen through the camera and upon which the surveyor
willingly stumbles wherever she goes could have been moved into the spheres of understanding.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span>The three series of images on fine photographic paper and polyurethane, which are horizontally
spread out in the middle of the room at the Rhenania, hereby surveying it, do only appear
unconnected at first glance. They already allude to a common core in a visual collection about
Istanbul, a metaphor for a shared home of differences. The assemblage is still in the process of
loudly and dynamically thinking about itself. At some point, in printed form, it will represent a
semicolon in the artistic trajectory of Viola Ye</span><span>ş</span><span>iltaç.
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;">Orhan Esen, 2020
</span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span style="vertical-align: 2pt;">2 </span><span>http://der-wisch.net/ein-leben-fuer-die-wissenschaft/
https://de.qantara.de/inhalt/fuat-sezgin-tradition-und-aufbruch
</span></span></p>
<p style="text-align: left;"><span style="font-family: helvetica;"><span style="vertical-align: 2pt;">3 </span><span>(Franz Kafka The Castle, K. at the Superintendent Page 79)
https://onemorelibrary.com/index.php/en/?option=com_djclassifieds&format=raw&view=download&task=
download&fid=16534
</span></span></p><p style="text-align: left;"><span style="font-family: helvetica;"><br /></span></p><p style="text-align: left;"><br /></p></div></div></div></div>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-57610944357395684942020-12-30T08:38:00.003-06:002021-07-24T09:15:45.129-05:00Collica & Partners, Catania<div style="background-color: white; color: #3c4858; font-family: "Palatino Linotype", "Book Antiqua", Palatino, serif, sans-serif; font-size: 14px; line-height: 20px; text-align: center;"><br /></div><div style="background-color: white; color: #3c4858; font-size: 14px; line-height: 20px; text-align: center;"><span style="font-family: helvetica;"> </span></div><div style="background-color: white; color: #3c4858; font-size: 14px; line-height: 20px; text-align: center;"><span style="font-family: helvetica;"> </span></div><div style="background-color: white; color: #3c4858; line-height: 20px; text-align: left;"><span><span style="font-family: helvetica;">0:1 palla al centro</span></span></div><div style="background-color: white; color: #3c4858; line-height: 20px; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="background-color: white; color: #3c4858; line-height: 20px; text-align: left;"><span style="font-family: helvetica;"><span><a href="https://collicandpartners.it/" target="_blank">2008 TEMPORANEO E CERTO</a></span></span></div><div style="background-color: white; color: #3c4858; line-height: 20px; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="background-color: white; line-height: 20px;"><div style="text-align: center;"><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;">Federico Baronello, Francesco Di Giovanni,</span></div><span><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;">Rä di Martino, Christoph Meier, Ute Müller, Nicola Pecoraro,</span></div><span><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;">Michele Spadaro, Viola Yeşiltaç</span></div><span style="font-family: helvetica;"><div style="text-align: left;"><span style="color: #3c4858;"><br /></span></div><span style="color: #3c4858;"><div style="text-align: left;">Special Guest Urs Lüthi</div></span></span></span></span></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="color: #3c4858; text-align: left;"><u><span><span><span><span style="font-family: helvetica;">EXTENDED UNTIL AUGUST 31</span></span></span></span></u></div><div style="color: #3c4858; text-align: left;"><br /></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"> </span><span style="font-family: helvetica;"> </span></div><div style="color: #3c4858; text-align: left;"><span style="background-color: transparent;"><span style="font-family: helvetica;">Opening hours: 10.00 - 13.00 / 16.00 - 20.00</span></span></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"><span>f</span><span style="background-color: transparent;">rom Wednesday to Saturday</span></span></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="color: #3c4858; text-align: left;"><span><span style="font-family: helvetica;">Reservation needed. To make an a appointment please contact:</span></span></div><div style="color: #3c4858; text-align: left;"><span><span style="font-family: helvetica;"><a data-saferedirecturl="https://www.google.com/url?q=https://5uv6r.r.a.d.sendibm1.com/mk/cl/f/zlp8g3LJN2q3No2d3XJPX1kgNim-FBhrIrVqBaiaYcTQdUuX9-g0PkniLEezLCmQ34agEjO8qa7wIKFOLkeCLY8sfXfT6hDAro_JulvLfIAbUbhNpWSOATkCbGhktx_G0Huplm2aj1acjhJ5YUMAglNCL8fRLB7DnEIIhyIK708dPUFUNwNqOc0&source=gmail&ust=1623850621176000&usg=AFQjCNHJCv5jGR6nW8T6lwJOSemK0p2a6w" href="https://5uv6r.r.a.d.sendibm1.com/mk/cl/f/zlp8g3LJN2q3No2d3XJPX1kgNim-FBhrIrVqBaiaYcTQdUuX9-g0PkniLEezLCmQ34agEjO8qa7wIKFOLkeCLY8sfXfT6hDAro_JulvLfIAbUbhNpWSOATkCbGhktx_G0Huplm2aj1acjhJ5YUMAglNCL8fRLB7DnEIIhyIK708dPUFUNwNqOc0" style="color: #1732bf;" target="_blank">info@collicandpartners.it </a>/ +39 340 84 095 29</span></span></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="color: #3c4858; text-align: left;"><span style="font-family: helvetica;"> </span></div><div style="color: #3c4858; text-align: center;"><div style="text-align: left;"><span style="font-family: helvetica;">Collica & Partners</span></div><span><div style="text-align: left;"><span style="font-family: helvetica;">via Luigi Pirandello,1</span></div><span style="font-family: helvetica;"><div style="text-align: left;">95027 San Gregorio di Catania (CT)</div></span></span></div></div>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-21061244539977444642020-06-26T13:18:00.011-05:002021-06-02T05:25:32.690-05:00Cooper Gallery DJCAD, Dundee Scotland<div style="text-align: center;"><em style="background-color: white; color: #222222; font-size: 16px; text-align: left;"><strong><font face="helvetica"><br /></font></strong></em></div><div style="text-align: justify;"><font face="helvetica"><em style="background-color: white; color: #222222; text-align: left;"><strong><br /></strong></em></font></div><div style="text-align: center;"><div style="text-align: justify;"><em style="background-color: white; color: #222222; text-align: left;"><strong><span style="font-family: helvetica;">A space in-between #3</span></strong></em></div><font face="helvetica"><div style="text-align: justify;"><em style="background-color: white; color: #222222; text-align: left;"><strong>Hear, Here</strong></em></div><span style="background-color: white; color: #222222; text-align: left;"><div style="text-align: justify;">26 June – 28 August 2020</div></span></font></div><div style="text-align: center;"><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><font face="helvetica" style="background-color: white;"><div style="text-align: justify;"><a data-saferedirecturl="https://www.google.com/url?q=https://dundee.us2.list-manage.com/track/click?u%3Dbec5c83c5721068bccd072abe%26id%3D042026573e%26e%3D6bd74a4ef5&source=gmail&ust=1593276357813000&usg=AFQjCNEhlXNsbPucR_4UJ5EdFTddsPF3RQ" href="https://dundee.us2.list-manage.com/track/click?u=bec5c83c5721068bccd072abe&id=042026573e&e=6bd74a4ef5" style="text-align: left;" target="_blank"><b>Online</b></a></div></font></div><div style="text-align: justify;"><font face="helvetica" size="2"><br /></font></div><div style="text-align: center;"><font face="helvetica" size="2"><br /><span style="background-color: white; color: #222222; text-align: left;"></span></font><p style="background-color: white; color: #222222; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><font face="helvetica" size="2">In the cacophony of this ongoing moment, this space in-between, there are sounds, indeed voices who take imagination as an insurrectionary act. In their utterance, the ‘prose of the world’* is turned inside out.</font></p><p style="background-color: white; color: #222222; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><font face="helvetica" size="2">Cooper Gallery have commissioned artists <b>Anne Bean</b> and <b>Nicol Parkinson</b>, <b>Anne-Marie Copestake</b>, <b>Tina Krekels</b>, <b>Georgina Starr</b> and<b> Viola Yeşiltaç</b> to make new sound works accompanied by texts or images in response to this between-space. <br /><br />Wading into rivers, feet clicking on pavements, looking out the window, alone in dark rooms, and ignoring the loudspeakers; these new works draw attention to the vivid immediacy of where we are, with each other and with the world in all its concrete particularity. </font></p><p style="background-color: white; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><font face="helvetica" size="2"><font color="#222222">Artists' works available to read, stream, and view via Cooper Gallery’s </font><em style="color: #222222;">A space in-between</em><font color="#d52c1f"> <a data-saferedirecturl="https://www.google.com/url?q=https://dundee.us2.list-manage.com/track/click?u%3Dbec5c83c5721068bccd072abe%26id%3Dd8eb28f887%26e%3D6bd74a4ef5&source=gmail&ust=1593276357813000&usg=AFQjCNFqOchX9pfPrGylgdhRU_XbVpUBGA" href="https://dundee.us2.list-manage.com/track/click?u=bec5c83c5721068bccd072abe&id=d8eb28f887&e=6bd74a4ef5" target="_blank">website</a>.</font></font></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="227" data-original-width="336" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuz2k3O8iscUMJc3F-2MZqoBSrgBdk5ky2M8_fqZ2YPPs1gD_Ke04OOgoe9SNKR5OdPh_NVstetWuV_eJ9gmS-KPJJYGZTYMrfraDBr5Ez0-DZUYYYd34n91TgeoQ8nfKdXv-GoG2kxC0I/w400-h270/000016sm.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><i style="text-align: left;"><font face="helvetica" size="1">beyinbeyin / brainbrain, 2020</font></i></td></tr></tbody></table><p style="font-size: 16px; line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="font-family: helvetica;"><br /></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><br /></font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2">audio duration 15:36</font></i></span></p><p style="line-height: 24px; margin: 10px 0px; padding: 0px; text-align: left;"><span style="background-color: white;"><i><font face="helvetica" size="2"><span>Travelling as an observer and displaced by errant mother tongues, the ‘here’ of </span><b style="-webkit-font-smoothing: antialiased; border: 0px; box-sizing: border-box; margin: 0px; padding: 0px; vertical-align: baseline;">Viola Yeşiltaç</b><span>, spontaneous and in the moment, strains the limits of what we hear between the borders. In her ‘here’, with adroit attention to detail, a vaster world takes shape, ephemeral and fleeting, it gives notice on what was normal, on what was contained.</span></font></i></span></p></div>VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-14060746418853772132019-09-01T11:17:00.009-05:002023-10-22T11:32:21.093-05:00MALRAUX'S PLACE, NYC US<div dir="ltr" style="text-align: left;" trbidi="on">
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<div style="text-align: center;"><div style="text-align: justify;"><em style="background-color: white; color: #202020; text-align: left;"><span style="font-family: helvetica; font-size: x-small;"><a href="https://violayesiltac.com/die-landvermesserin/">Die Landvermesserin</a></span></em></div>
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<span style="background: rgb(250, 250, 250);"><span style="color: blue; font-family: helvetica; font-size: x-small;"><b><a href="http://malrauxsplace.com/" target="_blank">Malraux's Place</a></b></span></span></div>
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<span style="background: rgb(250, 250, 250);"><span style="color: blue; font-family: helvetica; font-size: x-small;"><b><a href="http://malrauxsplace.com/" target="_blank">349 Suydam St Ste 2L</a></b></span></span></div>
<div class="MsoNormal"><div style="text-align: justify;"><b style="background-color: #fafafa; color: blue;"><a href="http://malrauxsplace.com/" target="_blank"><span style="font-family: helvetica; font-size: x-small;">Brooklyn, NY 11237- 2978</span></a></b></div>
<span style="font-family: helvetica; font-size: x-small;"><span style="background: rgb(250, 250, 250);"><div style="text-align: justify;"><span style="color: blue;"><br /></span></div></span><span style="background: rgb(250, 250, 250);"><div style="text-align: justify;"><a href="http://www.contemporaryartdaily.com/2019/09/viola-yesiltac-at-malrauxs-place/" target="_blank">click and access documentation here!</a></div></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_6xUW1OapILWvRA5PJYXv1ncXy67Ki5MuwaGB2-wLGangrgCCWsLS32DbUU1jEXZBW7xCZt_n3T-l6SXLOTur_0yMgGsEU5ohoErC9ayzv28XI5KWeLdN_RCCEm2rX2q4ZpgQbDvjnNBa/s1600/img0026MP.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><span style="font-family: helvetica; font-size: x-small;"><img border="0" data-original-height="586" data-original-width="884" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_6xUW1OapILWvRA5PJYXv1ncXy67Ki5MuwaGB2-wLGangrgCCWsLS32DbUU1jEXZBW7xCZt_n3T-l6SXLOTur_0yMgGsEU5ohoErC9ayzv28XI5KWeLdN_RCCEm2rX2q4ZpgQbDvjnNBa/w400-h278/img0026MP.jpg" width="400" /></span></a></div>
<span style="font-family: helvetica; font-size: x-small;"><span><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span><br /></span></div><div style="text-align: justify;"><span>photograph</span><span> b&w</span><span> </span><span>fibre print, from the Istanbul series, 2018/19</span></div></span>
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<span style="font-family: helvetica; font-size: x-small;"><span>Viola </span><span>Yeşiltaç's</span><span> exhibition, <em>Die Landvermesserin </em>opens at Malraux’s Place on September 3rd from 6-9 PM. You are invited to join us for a reception here and then. In the interim feel free to duck the following shots in the dark.</span></span></div>
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<span style="font-family: helvetica; font-size: x-small;">What does the surveyor do? She surveys the land. She makes the cuts and apportionments that make the land legible. That’s a rock, she says, slicing a section from the unbounded swirling chaos. That’s a tree and there’s a mountain. It’s this many meters tall. Over here is a glade and beyond that a river. If animals come to water she counts and classifies them. When she finishes chopping and slicing she has made the land and it is nearly whole and the only missing piece is herself.</span></div>
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<span style="font-family: helvetica; font-size: x-small;">The sea is trickier. First of all there are the waves! That’s a wave, that’s a wave, that’s a wave; and yet, are they waves? How can she cut all these waves that are waves and are ‘are they waves?’ She needs a sharper tool. She uses the stars. With them she notches degrees and spins lattices to walk upon. Soon the empty horizon before her becomes West and like magic she feels East at her heels. Now at last she’s found her footing but the end result is the same. To survey the sea she’s had to excise herself, another keyhole with the outline of a monk. </span></div>
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<span style="font-family: helvetica; font-size: x-small;">It’s no small business this surveying. To see the world, to represent it to herself, the surveyor first needs a self to represent it to. Therefore her first cut is always the cut between herself and the world she surveys. No small wonder that she feels alienated. Try as she might none of her subsequent slicing can help. No form of knowledge can overcome the alienation which is its condition of possibility.</span></div>
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<span style="font-family: helvetica; font-size: x-small;">Lucky for us art is not a form of knowledge. Its goal is not to slice the universe into a sequence of known quantities but to engender sensation, to make sensible the relations that precede them. To do so it eschews cutting and opts for connecting. It reorganizes knowledge’s objects according to new principles. They can be as provisional and subjective as ‘I like blue’ or as rigorous and purposeless as a time signature. In so doing, art revels in and reveals the eternal malleability of the universe that knowledge seeks to fix. When it’s good at least, you could say that art reminds us surveyors to feel the currents that move through the waves and the 'are they waves’. At least I think Viola’s art does.</span></div><div style="background-color: white; color: #202020; line-height: 24px; margin-bottom: 10px; margin-top: 10px; padding: 0px;"><span style="font-family: helvetica; font-size: x-small;">Sebastian Black</span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-71310832561228167392019-05-01T22:25:00.004-05:002021-06-02T06:49:12.297-05:00MAVIBLAU<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: helvetica; font-size: x-small;">Interview with German - Turkish Culture Magazine </span></div>
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<span style="color: red; font-family: helvetica; font-size: large;"><a href="http://www.maviblau.com/01/05/2019/kunst-uber-migration-fruchte-und-vergangenheit-ein-interview-mit-viola-yesiltac/"><b>MAVIBLAU</b></a></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-73288439585390424472019-03-01T06:20:00.009-06:002021-08-11T14:25:28.222-05:0028november, Tirana Albania<div dir="ltr" style="text-align: left;" trbidi="on">
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Please join us for a very special launch of the Banana Collection on Wednesday, 6 March 2019</span></div>
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<b style="color: #500050;"><span style="color: black; font-family: helvetica; font-size: x-small;"><b>The Banana Collection</b></span></b></div>
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<span style="color: black; font-family: helvetica; font-size: x-small;">28 November</span></div>
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<span style="color: black; font-family: helvetica; font-size: x-small;">Rruga 28 Nëntori, Kati 4 </span></div>
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<span style="color: black; font-family: helvetica; font-size: x-small;">Tirana, Albania</span></div>
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<span style="color: blue; font-family: helvetica; font-size: x-small;">http://www.28november.al/</span></div>
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<div style="background-color: white;"><div style="color: #500050; text-align: justify;"><span style="font-family: helvetica; font-size: x-small;">The Banana Collection is a thematic selection of books; a special, limited edition bookmark by Viola Yeşiltaç; and a rare beverage</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">One morning I decided to go for a coffee, as school is over for me and I feel rather lost without the structure of my language lessons and my daily routines. It is all to be set up anew; I guess it is time to leave Istanbul, no matter how torn I feel about it at the moment. I sat down in a small café at the corner of an intersection. The wind was sweeping the sidewalk sign into the street, a cat climbed up a tree, one dog was chasing another.</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">At the table next to me was a group of young students. They spoke German and I could not resist listening into their conversation, as they were talking about bananas. This banana thing has become a bit of an obstacle to me, as for months now I knew what bookmark I wanted to make—but where does the banana come in? </span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">One of the young students listed a few attributes of the banana to describe her dislike of “this weird, yellowish mush.” She concluded that she hated bananas. Besides the fact that the “banana comes in the shape of a smile.” </span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">In the summer you could buy the Lady finger banana from Antalya at certain bazaars and I personally prefer the smaller ones—for one, because the portion is more suitable for me, and these smaller bananas are sweeter in taste. I always wonder why it is such a rare occurrence to find this type of banana. </span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">The most commonly eaten banana, with its yellow, slightly curved appearance, is a cultivar called the Cavendish. A seedless fruit with a unique reproductive system, every banana is a genetic duplicate of the next, and therefore susceptible to the same blights. There are in fact multiple colors of banana; it is rather diverse like the apple, plus, it is actually a berry.</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">Entire Central American nations have been said to rise and fall over the banana. By concentrating all their efforts on the Cavendish, banana exporters have built a system that allows a tropical fruit grown thousands of kilometers away to appear on supermarket shelves in the UK for less than £1 per kilo—undercutting fruits like apples, which are grown in dozens of varieties much closer to home.</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">Large scale banana production has been conducted in Central America since the beginning of the 20th century. The development and success of this industry has resulted in the complete alteration of tropical lowland environments from Mexico south to Panama. Hundreds of thousands of hectares of rich and diverse tropical ecosystems have been transformed into the monotonous and chemical drenched landscapes of banana plantations. […]</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;"><span style="text-align: center; white-space: pre-wrap;"> </span>The high demand for low cost and blemish free fruit has greatly influenced the cultivation methods utilized by banana growers. </span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">One of the museums I visited multiple times while in Istanbul was the Museum of the History of Science and Technology in Islam. I was particularly drawn to the section of medicine and ocular surgery of the 11th century, when great advances were made in ophthalmology, most prominently in association with Ammar ibn Ali al-Mawsili, who, toward the end of the century, developed cataract surgeries using a radical operation of the soft cataract with a metal syringe.</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">The instruments exhibited almost hurt my eyes from just looking at them. The combination of the sharp pointed edges of these metal instruments with the soft organic substance, the eye was troubling me. In German we call the eyeball Augapfel, as in “eye apple.” Maybe this is where we come back to the fruit? Even in the Bible, the “apple” consumed by Eve is a banana.</span></div>
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<span style="background-color: white; color: #666666; font-family: helvetica; font-size: x-small;">One instrument—a tweezers-like tool, the “raven’s beak,” made for removing whatever sticks to the eye or the inner side of the lid—caught my attention. Just one small obstacle, also a lack of a certain knowledge, can disturb, blur, or fog our vision. This made me think of the reason why I undertook this journey of learning Turkish. For nine months I avoided reading in English or German to focus all my attention on this language, in order to clear my vision. There was something buried away; this nagging feeling that I was ignoring part of my own heritage. To recover parts of it was—is—often frustrating and has even made me feel handicapped. Acquiring information has been very limited, due to my narrow knowledge of vocabularies and my understanding of the language over all. It is a fantastic journey to dive into a structure of a language such as Turkish, which is logical and built almost like a complex whole. Taking on this endeavor has been like making use of the raven’s beak and removing whatever was stuck and in the way in order to understand parts of this cultural heritage that I have been neglecting for so long.</span></div>
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<div style="display: inline;"><span style="font-family: helvetica; font-size: x-small;"><div style="text-align: justify;"><span style="background-color: white; color: #666666;">Viola Yeşiltaç</span></div>
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28 November purveys texts (new, used, bootlegged) that relate to independence, anarchy, spaces of exception, desire, withdrawal, noncompliance, self-management, forms of identification, love.</span></div>
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All and anyone is welcome. </span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-11380958608811842092018-01-30T12:03:00.003-06:002021-06-02T05:37:45.778-05:00Atelier Galata, Istanbul Turkey<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="background-color: #fafafa; color: #262626; text-align: left;">Viola Yeşiltaç</span><span style="background-color: #fafafa; color: #262626; text-align: left;"> is </span><span style="background-color: #fafafa; color: #262626; text-align: left;">currently artist in residence at Galata House Istanbul/ </span></span></div>
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<span style="font-family: helvetica;"><span style="background-color: white; text-align: left;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: #fafafa; color: #262626;">Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen</span></span><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: #fafafa; color: #262626; text-align: left;">/</span></span></div>
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<span face=""arial" , sans-serif" style="background-color: white; color: #212121; font-family: helvetica; text-align: left; white-space: pre-wrap;">Ministry of Culture and Science of North Rhine-Westphalia</span></div>
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<span style="background-color: white; text-align: left;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><a href="http://www.stadt-koeln.de/leben-in-koeln/kultur/kulturfoerderung/kuenstlerstipendium-istanbul-2018?kontrast=weiss" target="_blank">Künstlerstipendien für das </a></span></span></div>
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<span style="background-color: white; text-align: left;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><a href="http://www.stadt-koeln.de/leben-in-koeln/kultur/kulturfoerderung/kuenstlerstipendium-istanbul-2018?kontrast=weiss" target="_blank">"Atelier Galata" </a></span></span></div>
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<span style="background-color: white; text-align: left;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><a href="http://www.stadt-koeln.de/leben-in-koeln/kultur/kulturfoerderung/kuenstlerstipendium-istanbul-2018?kontrast=weiss" target="_blank">in Istanbul</a></span></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-12002723376004406802017-11-11T14:03:00.003-06:002021-06-02T05:38:10.340-05:0083 Pitt Street, NYC US<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="m_-7975024522119349389m_-5710206828298439180gmail-s1" style="font-family: helvetica;">Viola Ayla Yeşiltaç</span></div>
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<span style="font-family: helvetica;"><span class="m_-7975024522119349389m_-5710206828298439180gmail-s2"> </span>&</span></div>
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David Louis Zuckerman</span></div>
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November 18, 7:30pm</span></div>
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<span class="m_-7975024522119349389m_-5710206828298439180gmail-s2" style="font-family: helvetica;">A Collaborative Performance </span></div>
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<span style="color: red; font-family: helvetica;"><a href="https://www.83pittstreetnyc.com/viola-yeilta"><b><span style="color: red;"> </span></b></a><span class="m_-7975024522119349389m_-5710206828298439180gmail-s4"><a href="https://www.83pittstreetnyc.com/viola-yeilta"><b><span style="color: red;">83 Pitt Street, New York</span></b></a><span id="goog_798737156"></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDlIL2iD-YFC8AHrE6e0MrPYLNH8UwzrNzMzyr2ZNuNUW2HypQKgAw_1LkJO1jqqXcxlVC5Z3cuc3f0cZo0dLOT0SPACGce8cxcwWV3XLX7AMrGn5RCtv6401PzOdbf9FxM3M3jJgZydDo/s1600/MV4C0503.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: helvetica;"><img border="0" data-original-height="1067" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDlIL2iD-YFC8AHrE6e0MrPYLNH8UwzrNzMzyr2ZNuNUW2HypQKgAw_1LkJO1jqqXcxlVC5Z3cuc3f0cZo0dLOT0SPACGce8cxcwWV3XLX7AMrGn5RCtv6401PzOdbf9FxM3M3jJgZydDo/s320/MV4C0503.jpg" width="320" /></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVu_Alya9je2fiIBuZvggsur0DX7diZSVZJrVGN8D82VTQKxD2KcmD7x0Ks_fLd-vlMZfXqTROTOhQrkMMVQSrpe3X1AaSsDRKUS9T2XV6wJ3-GR-vhQaesqsR7Gtu9l-g5Di3pvJMute/s1600/MV4C9985.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="594" data-original-width="900" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVu_Alya9je2fiIBuZvggsur0DX7diZSVZJrVGN8D82VTQKxD2KcmD7x0Ks_fLd-vlMZfXqTROTOhQrkMMVQSrpe3X1AaSsDRKUS9T2XV6wJ3-GR-vhQaesqsR7Gtu9l-g5Di3pvJMute/s320/MV4C9985.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVu_Alya9je2fiIBuZvggsur0DX7diZSVZJrVGN8D82VTQKxD2KcmD7x0Ks_fLd-vlMZfXqTROTOhQrkMMVQSrpe3X1AaSsDRKUS9T2XV6wJ3-GR-vhQaesqsR7Gtu9l-g5Di3pvJMute/s1600/MV4C9985.jpg" style="clear: left; float: left; font-family: arial, sans-serif; margin-bottom: 1em; margin-right: 1em;"><span style="color: #222222;">Please arrive on time as the performance will begin promptly at 7:30 and will last between 20 - 30 minutes.</span><span class="m_-7975024522119349389m_-5710206828298439180gmail-Apple-converted-space" style="color: #222222;"> </span></a></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-64072380532432915352017-08-26T17:10:00.003-05:002021-06-02T05:38:38.251-05:00Sandberg Institute, Amsterdam Netherlands<div dir="ltr" style="text-align: left;" trbidi="on">
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: white; font-family: helvetica; text-align: left;">The One Minutes Series </span></div>
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: white; color: red; font-family: helvetica; text-align: left;"><u><a href="http://www.theoneminutes.org/series/micro-composition">Micro-Composition</a></u></span></div>
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: white; font-family: helvetica; font-size: 15px; text-align: left;">Title: Falım, 2017</span></div>
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<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica; font-size: x-small;">©vi<span style="background-color: white; text-align: left;">olayeşiltaç</span></span></div>
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<span style="color: black; font-family: helvetica; font-size: x-small;">This One Minutes Series is curated by Cally Spooner and is called Micro-Composition. The series consists of 12 One Minute contributions invited by Spooner from writers, musicians, exhibition makers, architects and poets who understand well that, no matter how brief, and how urgently assembled, a composition is a composition because it is a continuous present. A distribution of patience, duration, time-sense and equilibrium; an 'arrangement made'.</span></div>
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<span style="font-family: helvetica; font-size: x-small;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: black;">With an introduction by Cally Spooner, and a reading of Gertrude Stein's Composition as Explanation, Micro-Composition. The series will tour museums and cultural spaces around the world subscribed to The One Minutes. H</span><span face=""arial" , sans-serif" style="color: #222222;">osted by Sandberg Instituut and preserved by the Netherlands Institute of Sound and Vision</span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: black;"><br style="box-sizing: border-box;" /></span></span></div>
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<span style="font-family: helvetica;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: #222222; font-size: x-small;"><a href="http://theoneminutes.org/">theoneminutes.org</a></span><br />
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<span style="color: black; font-family: helvetica; font-size: x-small;"><u>Participating artists:</u></span></div>
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<span style="color: black; font-family: helvetica; font-size: x-small;">Ghislaine Leung <br style="box-sizing: border-box;" />Am Nuden Da<br style="box-sizing: border-box;" />Viola Yeşiltaç<br style="box-sizing: border-box;" />Danae Papazymouri <br style="box-sizing: border-box;" />Angelo Custódio <br style="box-sizing: border-box;" />Tyler Coburn<br style="box-sizing: border-box;" />Alex Cecchetti <br style="box-sizing: border-box;" />Roberto Fassone<br style="box-sizing: border-box;" />Jean-Pascal Flavien <br style="box-sizing: border-box;" />David Cunningham <br style="box-sizing: border-box;" />Public Fiction <br style="box-sizing: border-box;" />Jesper List Thomsen</span><br />
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-20210889078426085182017-05-08T13:58:00.002-05:002021-06-02T05:39:44.761-05:00Museum of Contemporary Art Detroit, US<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: helvetica;"><b><span style="color: #606060; font-size: large;">MOCAD</span></b><span style="color: #606060; font-size: 12pt;"> </span></span></div><div style="background: white; margin-bottom: .0001pt; margin: 0in; text-align: left;"><a href="http://mocad.wpengine.com/99cents/" style="font-size: 12pt;"><span style="font-family: helvetica;">99Cents or Less</span></a></div>
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<span style="font-size: xx-small;"><span style="color: #606060; font-family: "helvetica"; font-size: 12pt;">On View May 19 through August 6, 2017</span><span style="color: black; font-family: "helvetica"; font-size: 12pt;"><o:p></o:p></span></span></div>
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<span style="font-size: xx-small;"><span style="color: #606060; font-family: "helvetica"; font-size: 12pt;">MOCAD
Announces Group Exhibition of 99 Artists </span><span style="color: black; font-family: "helvetica"; font-size: 12pt;"><o:p></o:p></span></span></div>
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<span style="font-size: xx-small;"><span style="color: #606060; font-family: "helvetica"; font-size: 12pt;">Curated
by</span><span style="color: black; font-family: "helvetica"; font-size: 12pt;"><o:p></o:p></span></span></div>
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<span style="background: white; color: #606060; font-family: "helvetica";">Jens
Hoffmann and Susanne Feld Hilberry <o:p></o:p></span></div>
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<span style="font-family: helvetica;"><span style="font-size: medium;"><div style="text-align: left;"><span style="font-size: medium;">------------------------------------------</span><span style="font-size: medium;">-></span></div></span>
</span><div style="margin-bottom: .0001pt; margin: 0in; text-align: center;"><div style="text-align: left;"><span style="background-color: white; color: #606060; font-family: helvetica; font-size: large;">Exploring
Themes of Consumption, Globalization, Labor, and Income Inequality </span></div>
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<span style="font-family: "helvetica"; mso-ansi-language: EN-US;">“This
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<span style="font-family: "helvetica"; mso-ansi-language: EN-US;">The
audio was then altered, by adding field recordings and music samples.”<o:p></o:p></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-69364951345959132402017-05-07T09:51:00.003-05:002021-06-02T05:40:22.681-05:00Kesselhaus, Berlin Germany<div dir="ltr" style="text-align: left;" trbidi="on">
<h3 style="letter-spacing: 1px; line-height: 1.5em; margin: 0px 0px 0.3em;">
<div style="font-weight: 300; text-align: center;">
<span style="background-color: white; color: blue; font-family: helvetica;"><br /><div style="text-align: justify;"><a href="http://anneluther.info/kesselhaus" style="font-size: x-large;">Evidence & Imagination</a></div></span></div>
<div style="background-color: white; text-align: justify;">
<span style="color: red; font-family: helvetica; font-size: xx-small;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-size: xx-small;">(click on title and</span><span><span style="font-size: x-small;"> </span><span style="font-size: xx-small;">access documentation)</span></span></span></div>
<span style="background-color: white; font-family: helvetica; font-weight: normal;"><span color="rgba(0 , 0 , 0 , 0.74902)" face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-size: small;"><div style="text-align: center;">
<div style="font-size: large; text-align: justify;">
<span color="rgba(0, 0, 0, 0.75)"><br /></span></div>
<span style="font-size: small;"><div style="text-align: justify;"><span color="rgba(0, 0, 0, 0.75)">Jason Loebs, </span><span color="rgba(0, 0, 0, 0.75)">John Roabes</span></div></span></div>
<div style="text-align: justify;">
<span style="font-size: small;">and </span><span color="rgba(0, 0, 0, 0.75)">Viola Yeşiltaç</span></div></span><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-size: xx-small;"><div style="color: rgba(0, 0, 0, 0.75); text-align: center;">
<div style="font-size: large; text-align: justify;"><span color="rgba(0 , 0 , 0 , 0.74902)" style="background-color: transparent; font-size: x-small; text-align: left;">curated by<a href="http://anneluther.info/kesselhaus"> </a></span><span style="color: blue;"><a href="http://anneluther.info/kesselhaus">Dr. Anne Luther</a></span></div>
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</span></span></h3>
<div style="text-align: justify;">
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">April 23 – May 12, 2017</span></div><div style="text-align: justify;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><br /></span></div>
<div style="text-align: center;">
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<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">Kesselhaus, Berlin</span></div>
<div style="text-align: justify;">
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">Schlesischestr. 38</span></div>
<div style="text-align: justify;">
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">10997 Berlin </span></div>
<div style="text-align: justify;">
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">(The Kesselhaus is located in the second courtyard)</span></div>
<div style="text-align: center;"><div style="text-align: justify;"><span style="font-family: helvetica;">Opening hours: Thu - Sun, noon - 19:00, and by appointment.</span></div>
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><div style="text-align: justify;"><br /></div></span><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-12948113795995648152017-04-23T08:56:00.008-05:002023-06-25T04:39:40.531-05:00Chelsea Space, London UK<div dir="ltr" style="text-align: left;" trbidi="on">
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</span><div class="MsoNormal" style="text-align: center;"><div style="text-align: justify;"><span style="font-family: helvetica;"><a href="https://www.chelseaspace.org/archive/am-nuden-da-pr.html" target="_blank">Am Nuden Da</a> </span></div>
<span style="font-family: helvetica; font-size: large;"><div style="text-align: justify;"><span color="rgba(0 , 0 , 0 , 0.74902)" face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white; font-size: xx-small; letter-spacing: 1px;">( click on title and</span><span style="background-color: white; color: #0b0074; font-size: xx-small; letter-spacing: 1px;"><span style="font-size: x-small;"> </span><span style="font-size: xx-small;">access documentation)</span></span></div></span><div style="text-align: justify;"><span style="font-family: helvetica;">RETROSPECTIVE </span></div>
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<div class="MsoNormal" style="text-align: left;">
<span style="font-family: helvetica; font-size: small;"><a href="http://www.chelseaspace.org/future.html">Chelsea Space</a></span></div>
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<span style="font-family: helvetica; font-size: small;">16 John Islip
Street, London SW1P 4JU<o:p></o:p></span></div>
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<span style="font-family: helvetica; font-size: small;"><div style="text-align: left;">26April -26 May 2017</div><o:p></o:p></span></div>
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<span style="font-family: helvetica; font-size: small;">Private view 25 April 6-8.30pm<o:p></o:p></span></div>
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<div class="MsoNormal" style="text-align: center;"><div style="text-align: left;"><span style="font-family: helvetica;">watch<a href="http://www.amnudenda.com/"> <u>TEASER</u></a></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-46327630492356141582017-04-02T16:43:00.003-05:002021-06-02T05:42:23.199-05:00Jaqueline Martins, Sao Paulo Brazil<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="MsoNormal" style="line-height: 61pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: "helvetica";"><a href="http://galeriajaquelinemartins.com.br/exposicao/agentilcarioca" target="_blank">A Gentil Carioca</a>
<a href="http://galeriajaquelinemartins.com.br/exposicoes/a-gentil-carioca-jaqueline-martins/">Jaqueline Martins</a><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: "helvetica";">April 9 through May 13, 2017 <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<i><span style="font-family: helvetica;">Curated by Ricardo
Sardenberg<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>The idea of ‘work of
art’ is an invention specific to our culture. Many societies do not use or even
have such a concept. Other cultures create static visual images whose job is to
enclose and keep the soul alive. The German word Versuch bears a resemblance
with the French word essai in that both mean “attempt” and “essay” in the
literary sense.</span></i><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>In fact, the latter
meaning was incorporated into both French and Portuguese language as a result
of one and the same philosophical work.</span></i><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>Essay is what this
exhibition is about.</span></i><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>Acting the way I do,
risking one artwork here, another there, samples withdrawn from the whole,
isolated, with no prior intent, and promising nothing, is it not my duty to
hold an exhibition of real value? What is an exhibition of real value? I must
espouse that the real value of an exhibition resides not in any predetermined
coherence or historical consistency</span></i><span> <i>of
the curator’s rationale, but in the unpredictable that happens when diverse
poetics juxtapose in a given space and time. I don’t think I have to measure up
to my own standards, and I reserve myself the freedom to change the subjects I
approach and how I approach them whenever I please, never allowing myself to be
held back by misgivings and uncertainty or by ignorance (which is what overcomes
me the most).</i></span><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>My style binds me
neither to the exactitude of a historian, nor to the originality of a curator,
or the excellence of an artist. I don’t surmise
that my thoughts could not, at
the end of the day, have been thought
up by someone else, and therefore I have
no qualms about occasionally exhibiting something I just saw in another
exhibition. Nothing here is previously unseen. I often get people to say for me
what I can’t say so well. Amid so many things to borrow, I am happy if I can
steal something, change it around, and disguise it for some new purpose.</span></i><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 17pt; margin-bottom: 12pt; text-align: justify;">
<span style="font-family: helvetica;"><i><span>The works shown here are
to be viewed as multiple entities whose ontological status and capacity for
action varies depending on the position they occupy in relation to one another.
None of it amounts to anything but an exercise on the possibilities of
exhibiting and displaying “works of art.”</span></i><span style="font-size: 13.5pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: helvetica;">Ricardo Sardenberg</span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<!--EndFragment--></div>
VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-56827765934414269012016-12-16T12:31:00.007-06:002023-06-25T04:31:07.611-05:00David Lewis, NYC US<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: center;"><span style="background-color: #fafafa; color: #222222; font-family: helvetica; font-size: 18px; font-style: italic; text-align: left;"><div style="text-align: justify;"><a href="https://violayesiltac.com/strawberry-of-cosmo/" style="background-color: white; font-size: xx-large;" target="_blank">Strawberry of Cosmo</a></div></span><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div>
</div>
<div style="text-align: center;"><div style="text-align: justify;"><b><span style="color: red; font-family: helvetica;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white; font-size: xx-small; letter-spacing: 1px;">(click on title and</span><span style="background-color: white; font-size: xx-small; letter-spacing: 1px;"><span style="font-size: xx-small;"> </span>access documentation)</span></span></b></div>
<div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: helvetica;"><br /></span></div>
<span style="background-color: #fafafa; color: #222222; font-family: helvetica; font-size: 18px; text-align: left;"><div style="text-align: justify;">Solo Exhibtion</div></span></div>
<div style="text-align: justify;">
<span style="background-color: #fafafa; color: #222222; font-family: helvetica; text-align: left;">December 15, 2016—January 29, 2017</span></div>
<div style="text-align: center;"><div style="text-align: justify;"><span style="color: #222222; font-size: 18px;"><span style="font-family: helvetica;"><br /></span></span></div>
<span style="background-color: #fafafa; color: #222222; font-family: helvetica; font-size: 18px; text-align: left;"><div style="text-align: justify;">Sara Roffino </div></span><div style="text-align: justify;"><a href="http://davidlewisgallery.com/wp-content/uploads/VY-BLOUINARTINFO-01.10.17.pdf" style="font-size: 18px; text-align: left;" target="_blank"><span style="font-family: helvetica;">on</span></a></div>
<span style="background-color: #fafafa; color: #222222; font-family: helvetica; font-size: 18px; text-align: left;"><div style="text-align: justify;"><a href="http://violayesiltac.com/wp-content/uploads/2021/11/BLOUINARTINFO-01.10.17.pdf" target="_blank">Strawberry of Cosmo</a></div></span><div style="text-align: justify;"><span style="font-family: helvetica;">at blouinartinfo.com</span></div>
<b><div style="text-align: justify;"><b><span style="color: red; font-family: helvetica;"><span style="background-color: #fafafa; font-style: italic; text-align: left;">(click on title above!)</span><span style="font-size: xx-small;"> </span></span></b></div></b><div style="text-align: justify;"><span style="color: #222222; font-family: romain, times, serif; font-size: 18px;"><br /></span></div>
<span style="background-color: #fafafa; text-align: left;"><div style="color: #222222; font-family: romain, times, serif; font-size: 18px; text-align: justify;"><br /></div></span></div>
<div class="separator" style="clear: both; text-align: justify;">
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<div style="text-align: justify;">
<span style="background-color: #fafafa; color: #222222; font-family: "romain" , "times" , serif; font-size: 18px; font-style: italic; text-align: left;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-size: x-small;"><br /></span></div>
<div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><br /></div><div class="MsoNormal" style="background: white; text-align: left;"><span style="font-family: helvetica;"><br /></span></div><div class="MsoNormal" style="background: white; text-align: left;"><span style="font-family: helvetica;">
David Lewis Gallery</span></div>
<div class="MsoNormal" style="background: white; line-height: 16.5pt; text-align: left;">
<span style="color: #333333; font-family: helvetica; letter-spacing: 0.4pt; text-transform: uppercase;">88
ELDRIDGE ST., FIFTH FLOOR<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 16.5pt; text-align: center;"><div style="text-align: justify;"><span style="color: #333333; letter-spacing: 0.4pt; text-transform: uppercase;"><span style="font-family: helvetica;">NEW YORK,
NY 10002</span></span></div>
<span style="background-color: #fafafa; color: #222222; font-family: helvetica; text-align: left;"><div style="text-align: justify;"><span style="font-size: x-small;">Wednesday - Sunday</span></div></span><div style="text-align: justify;"><span style="background-color: #fafafa; color: #222222; font-size: x-small; text-align: left;"><span style="font-family: helvetica;">11AM - 6PM</span></span></div>
<span style="font-family: helvetica; font-size: xx-small;"><div style="text-align: justify;"><span style="background-color: #fafafa; color: #222222; text-align: left;">Monday - Tuesday, Open by appointment only</span></div></span><div style="text-align: justify;"><span style="color: #222222; font-family: romain, times, serif; font-size: small;"><br /></span></div>
<span><div style="color: #222222; font-family: romain, times, serif; font-size: small; text-align: justify;"><br /></div></span></div>
</div>
VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-51153162845023903992016-11-03T10:55:00.008-05:002022-07-06T07:53:33.845-05:00Fondazione Brodbeck, Catania Italy<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: center;"><div style="text-align: justify;"><span style="color: #0000ee; font-family: helvetica; text-decoration-line: underline;"><br /></span></div>
<span style="font-family: helvetica;"><div style="text-align: justify;"><em><span style="font-size: x-large;"><a href="https://violayesiltac.com/bastard-pears-and-barricades/">bastard pears & barricades</a></span></em></div>
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif"><div style="text-align: justify;"><br /></div><span><div style="text-align: justify;"><span style="background-color: #fafafa; color: #222222; text-align: left;">Solo Exhibtion</span></div></span></span><div style="text-align: justify;"><br /></div>
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif"><div style="text-align: justify;"><span style="background-color: white; font-size: 12px;">02 November 2016 - 13 January 2017</span></div><span><div style="text-align: justify;"><span style="background-color: white; font-size: 12px;">visits by appointment</span></div></span></span><div style="text-align: justify;"><br /></div>
</span></div>
<div style="background-color: white; color: #607080; font-size: 12px; margin: 0px; text-align: center;">
<span style="font-family: helvetica;"><strong></strong></span></div>
<div style="text-align: justify;">
<b><span style="font-family: helvetica;">documentation can be seen<a href="http://moussemagazine.it/viola-yesiltac-bastard-pears-barricades-fondazione-brodbeck-catania/"> <span style="color: red;">here</span></a></span></b></div>
<div class="separator" style="clear: both; text-align: justify;">
<span style="clear: left; float: left; font-family: helvetica; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyeBe59nIN2m4pmLNrVdo-CHjwqQ5xUvxWfcHdh8zu7IRDGZI89OzZyyXBtshdjxMoO_mhT0zdrlGnThOkQK9pFtgWlS12GYmcLVOCEcxTqviPBHWS-WNM7fBKHwLvnvtXUiucMW0Z-Yma/s320/unnamed.jpg" width="226" /></span></div>
<div style="text-align: center;"><br /></div>
<div style="margin: 0px; text-align: center;"><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;"><br /></i></div><div style="text-align: justify;"><i style="font-family: helvetica; font-size: small;">“Sie wissen nicht was sie tun, aber was ich tue, das glauben sie zu wissen”</i></div>
<span style="background-color: white; font-family: helvetica; font-size: x-small;"><div style="text-align: justify;"><i>“You don't know what you are doing, but you think you can tell what I am doing”</i></div></span></div>
<div style="margin: 0px; text-align: justify;">
<span style="background-color: white; font-family: helvetica; font-size: x-small;"><br /></span></div>
<div style="margin: 0px; text-align: justify;">
<span style="background-color: white; font-family: helvetica; font-size: x-small;"><br /></span></div>
<div style="margin: 0px; text-align: center;">
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<span style="background-color: white; font-family: helvetica; font-size: x-small;"><span style="text-align: justify;">As part of the UNFINISHED CULTURE project, the Brodbeck Foundation is pleased to announce the opening of an exhibition by Viola Yeşiltaç, </span><span style="text-align: justify;">bastard pears & barricades</span><span style="text-align: justify;">.</span></span></div>
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<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white; font-size: x-small;"><span style="font-family: helvetica; text-align: justify;">On this occasion, the New York-based German-Turkish artist is presenting a body of work comprising “drawings”, sculptures and a performance with her collaborator Oliver Input, devised during her period at her residency in Catania.</span></span></div>
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<span style="font-family: helvetica;"><span style="text-align: justify;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white; font-size: x-small;">The title of the show alludes to a state of resistance and struggle that characterizes both the work of Yeşiltaç, and more widely, of a generation of contemporary artists who are taking a viewpoint that differs from the recent past. (.......)</span></span><br />
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<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white;"><span style="text-align: justify;">In Catania the autumnal fruit of the prickly pear is called a </span><em style="text-align: justify;">bastardo</em><span style="text-align: justify;">, so named to distinguish it from the one produced during the first flowering in spring. A </span><em style="text-align: justify;">bastardo</em><span style="text-align: justify;"> is bigger, succulent and sweet, born from an abortion, from a traumatic and unnatural act, but the fruit of experience and intuition.</span></span></span></span></div>
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<span style="font-family: helvetica; text-align: justify;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="background-color: white; font-size: x-small;">for more information please contact: </span><a href="mailto:info@fondazionebrodbeck.it" style="background-color: white; color: #1155cc; font-size: 10px;" target="_blank">info@fondazionebrodbeck.it</a></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-35096447689948061772016-11-02T16:09:00.005-05:002023-09-16T12:18:18.375-05:00Fondazione Brodbeck, Catania Itlay<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: helvetica; font-size: large;"><i>"<span style="color: red;"><a href="https://soundcloud.com/oliverinput/eine-zuckung-fur-eine-woche" target="_blank">Eine Zuckung für eine Woche</a>"</span></i></span></div>
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<span style="font-family: helvetica;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="color: red;"><div style="text-align: justify;"><b><span style="background-color: white;"> listen to the audio recording</span></b></div><b><div style="text-align: justify;"><b><span style="background-color: white;">by clicking the title above</span></b></div></b></span>
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<span style="color: #666666; font-family: helvetica;"><a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank">a</a></span></div>
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<span style="color: #666666; font-family: helvetica;"><a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank">Performance </a></span></div>
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<span style="color: #666666; font-family: helvetica;">by Viola Yeşiltaç & Oliver Input</span></div><div style="text-align: justify;"><br /></div>
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<a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank"><span style="font-family: helvetica;"><br /></span></a></div>
<div style="text-align: center;"><div style="text-align: justify;"><a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank"><span style="background-color: white; color: #333333; font-family: helvetica; font-size: 13px; text-align: left;">30th of October, 2016</span></a></div>
<div style="text-align: justify;"><a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank"><span style="background-color: white; color: #333333; font-family: helvetica; font-size: 13px; text-align: left;">Fondazione Brodbeck</span></a></div>
<span style="background-color: white; color: #333333; font-family: helvetica; font-size: 13px; text-align: left;"><div style="text-align: justify;"><a href="https://collicandpartners.it/projects/2019-2012/2016-viola-ye%C5%9Filta%C3%A7" target="_blank">Catania, IT</a></div></span></div>
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<span style="background-color: white; text-align: left;"><span style="font-family: helvetica; font-size: x-small;">(still from performance)</span></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-15154846246385268812016-05-24T09:03:00.002-05:002021-06-02T05:44:29.946-05:00MSA^ 10 YEAR ANNIVERSARY BOOK, Los Angeles US<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: helvetica;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">the Mountain School 10 Year Anniversary Book,</span><br />
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">produced at Los Angeles Contemporary Archive (LACA)</span></span></div>
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<span style="font-family: helvetica;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">Saturday, May 28th. 630pm-930pm</span><br />
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">In the Lodge behind LACA</span><br />
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">2245 E Washington Blvd.</span><br />
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">Los Angeles, CA</span><br />
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<span style="color: #222222;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif" style="font-family: helvetica;">My application essay, for which I was invited
to participate at the<span class="apple-converted-space"> </span>Mountain
School is included in this 10 Year Anniversary publication.</span></span></div>
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<span style="font-family: helvetica;"><span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">The hand printed risograph book will be available in a limited edition of 150.</span><br />
<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">10 unique collectible copies will also be silent auctioned.</span><br />
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<span face=""helvetica neue" , "arial" , "helvetica" , sans-serif">The Mountain School of Arts: The First Ten Years is a collection of 217 application essays submitted to the school between 2005 and 2015. The essays were collected from the MSA’s incomplete archive, and are unedited but anonymized. They include both students who were “accepted” to the program, and those who were not.</span></span></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0tag:blogger.com,1999:blog-4775419294742295672.post-43216884679687096952015-12-19T09:34:00.005-06:002023-06-25T04:37:09.022-05:00MODERN ART OXFORD, OXFORD, UK<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: helvetica;"><div style="text-align: justify;"><a href="https://www.modernartoxford.org.uk/event/kaleidoscope-the-indivisible-present/#image_gallery" target="_blank">KALEIDOSCOPE: THE INDIVISBLE PRESENT</a></div></span></div>
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<span style="font-family: helvetica;"><a href="https://www.modernartoxford.org.uk/event/kaleidoscope-the-indivisible-present/#image_gallery" target="_blank">AT</a></span></div>
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<b style="color: #222222;"><b>50th Anniversary Exhibition</b></b></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="color: black; font-family: helvetica;"><b>The artists featured are </b></span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="color: black; font-family: helvetica;"><b>Douglas Gordon, Pierre Huyghe, John Latham, Yoko Ono, Elizabeth Price </b></span></span></div>
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<span face=""arial" , "helvetica" , sans-serif"><span style="color: black; font-family: helvetica;"><b>and </b></span></span><span face=""arial" , "helvetica" , sans-serif" style="font-family: helvetica;"><span style="color: black;"><b>Viola </b></span></span><b style="font-family: helvetica;"><span style="text-align: start;">Yeşiltaç</span><span face=""arial" , "helvetica" , sans-serif"><span style="color: black;"> </span></span></b></div>
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<span face=""tahoma" , sans-serif" style="color: #222222;">6th February - 20th March 2016. </span></div>
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<span style="background-color: #f0f0f0; color: black; line-height: 28px;"><span style="font-family: helvetica; font-size: x-small;">Modern Art Oxford</span></span></div>
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<span style="background-color: #f0f0f0; color: black; line-height: 28px;"><span style="font-family: helvetica; font-size: x-small;">30 Pembroke St</span></span></div>
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<span style="color: #333333;"><div style="text-align: justify;"><span style="font-family: helvetica;">studio international</span></div></span></div>
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Visual Arts, Design and Architecture</span></div>
<div style="font-weight: bolder; line-height: 25px; margin-bottom: 20px; padding: 0px; width: 480px;"><div style="text-align: justify;"><a href="http://www.studiointernational.com/index.php/kaleidoscope-the-indivisible-present-review-modern-art-oxford-pierre-huyghe-yoko-ono-douglas-gordon" style="font-weight: bolder;" target="_blank"><span style="color: red; font-family: helvetica;">Kaleidoscope: The Indivisible Present</span></a></div>
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VIOLA YEŞiLTAÇhttp://www.blogger.com/profile/07905138480273117465noreply@blogger.com0